In film, we sculpt time, we sculpt behaviour and we sculpt light.
When I'm watching somebody act, it's a behavior editorial function - I look at someone act, and I might say, 'I don't believe him when he says that.' I don't know why I don't believe him, probably because the people that I've met, they don't act like that when they say stuff like that and mean it.
I think intelligence is totally subjective; it's like sexiness.
The fact is, you don't know what directing is until the sun is setting and you've got to get five shots and you're only going to get two.
My idea of professionalism is probably a lot of people's idea of obsessive.