I've wept for Haiti a thousand times over the years since my first trip during the Duvalier reign.
Everybody hates to edit my film. Back in the day, we called it film - now, my digital cards. But I shoot an awful lot of pictures. I don't want to hesitate, because I believe the moment is everything in a picture. So, I take the pictures.
I had gone to nursing school at Northampton Community College in my hometown of Bethlehem, Pennsylvania. And nursing didn't feel quite right, and an old boyfriend gave me a 35-millimeter camera just to play with. So, I took a darkroom class.
I have a whole box full of pieces of the Berlin Wall and a heart made from the barbed wire of the Iron Curtain. It's - they're cherished treasures to me now, of course.
I think a lot of times, especially for certain stories, photographers travel together for safety reasons, and they also invariably cross paths. But you could have 10 photographers shooting together in the same spot but capturing different images.
Michel duCille has been an editor of indelible integrity, decency, and a deep sense of humanity. Michel stood by me during the highlights and shadows of my life. We began our careers together as interns at 'The Miami Herald.' His photography over the years embodied the concerned journalist, which carried over to his work in management.
I think many times news organizations, whether it's for lack of resources or something else, cover the headlines and don't follow up, even though the story continues for the people living there - they can't leave. I think it's critical that they do these follow-up stories to realize that there is still suffering, and the need is dire.