For me nature is not landscape, but the dynamism of visual forces.
Focusing isn't just an optical activity, it is also a mental one.
Painters have always needed a sort of veil upon which they can focus their attention. It's as though the more fully the consciousness is absorbed, the greater the freedom of the spirit behind.
I work with nature, although in completely new terms.
His failures are as valuable as his successes: by misjudging one thing he conforms something else, even if at the time he does not know what that something else is.