Each time I'm starting to work on a film, even if I love to settle the plot in the real world, I start to think about the plot as a fairy tale, or a dream, or a nightmare... As if it was the best way to tell the truth about characters or narration, instead of realism.
I'm an absolute fan of Angela Bassett. I think she's a great, great actress. In the biopics, she is so moving. She's very rare. It's something that doesn't happen that much, to see an actress inventing a new way of showing 'woman' onscreen, and a new way of being beautiful.
I guess that in this process of trying to incorporate or to be faithful to the films I admire so much, that's how I start to find my own voice. The admiration I have for filmmakers, this gratitude, perhaps that's my only way to become specific.
It's hard work to find your own voice and not to copycat anything.
I remember the first time I read Freud, I was 25 or 30, and I was expecting it to be about the Oedipus complex. But what I actually discovered confirmed my own common experience, that you also had little boys who loved their fathers and little girls who loved their mothers.