What I try to do often when I'm acting and what I like when I'm seeing good acting is how authentic it is. How true is this to what I know of the world that's been created for me? The ultimate test for me is, like, if I heard a clip of it on the radio, I'd like the audience not to know if I'm acting.
To feel nervous; to feel threatened and vulnerable and alive and engaged in that sense when interacting with someone you're really attracted to? I think that's wonderful. That's usually the best part. In fact, it's almost always downhill from there.
What I like in comedies are really two things: stories that are character-driven and stories that are rooted in authenticity.
I like directing myself; I feel like it's one less person to give notes to. There's an efficiency in it. I'm also kind of a control freak. So I like the fact that it gives me more control in the overall picture.
I try to preserve whatever balance society has between public and personal life. I never try to eat on the subway. I never try to listen to loud music on the subway.