It might kill you to say it, because the film really takes on the Catholic Church, but I do think there is a sort of affection for certain rituals, and an authenticity to the presentation of those rituals, in 'Mea Maxima Culpa.'
I think of my films as not necessarily political but more moral. Between my father, my stepfather, and my mother - they all felt pretty passionately about the importance of standing up and doing the right thing, and none of them were suck-ups. What motivates me is usually abuse of power.
'Park Avenue: Money, Power and the American Dream' is an intentionally angry film. How could it not be when the chance of an infant dying is five times greater on the Bronx Park Avenue than on Manhattan's Park Avenue just across the Harlem River?
We live in a world where everyone thinks they do the right thing, so they are entitled to do the wrong thing. So ends can justify the means.
The whole macho thing has to be reexamined. Because in my view, the Bush administration was weak, not strong. To engage in a policy of torture is a weak policy. Because ultimately, it encourages the terrorists. It undermines our own values. It corrupts our system. And it doesn't get good intelligence.